Cristina NualART

Tag: Sequential art

Sutra and Antony Gormley

32_SutraSadler’s Wells theatre is always a full house. Never more deservedly than with Sutra. A most visual spectacle, it is absolutely thrilling! I was completely enthralled by it. It left me reeling and amazed at human ingenuity.

What I can’t quite work out is how a visual artist, Antony Gormley, designs the set for something like this. I can understand that a sculptor would have all the skills needed to make 100 different shapes out of blocks of wood. But it takes a good stretch of the imagination to get the boxes to become all the landscapes that I interpreted during the show. The set, to a large extent, IS the performance, in Sutra. The objects (visual art) and the martial artist are united in motion, and one without the other would not work. This is, I guess, a great example of a hybrid partnership, in this case, of a visual artist with choreographers, performers and musicians. Team work and inter-disciplinary collaborations are all the rage in business, science and art in these times of Relational Aesthetics. Sutra shows what a successful mix of creative skills can produce. I love it!

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Antony Gormley is someone I have liked since he put up ‘the little man’ bronze sculpture in front of Birmingham’s Art Gallery. I was young at the time, but I think there must have been some controversy when the metal man was half buried in this public square, because I remember the affectionate comments made by my relatives in the Midlands. Maybe it was my nan’s delight at the sculpture, or maybe I just thought it looked like a toy, but when I saw it, I was charmed. The Angel of the North is on my long list of things to see…

I did have the privilege, lucky girl, of seeing Antony Gormley’s exhibition in the Hayward Gallery in 2007. What a show! It did for me what Sutra does – fills you with awe and ideas and energy and joy! The Hayward show drew in crowds to experience Blind Light, and while that was an incredible otherwordly experience, it was the hanging metal sculptures of fragmented men – the negative space and the space between our molecules – that wowed me. Phewh… Art has its moments.

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Laydeez do Comics

Laydeez2010_photocnualartThis week, the monthly evening gathering of admirers of female comic makers in London was bustling with new faces and regulars sharing ideas and recommendations.

This is a networking event, as well as an educational session, so I met lots of cool people.The girl drawing in the photo is Catari, an American student in London, on her way to NY soon. I liked seeing her drawings about the evening spread across an old book throughout the session. She knew her stuff about graphic novels, and she seemed pretty determined to learn well, so I’m sure we’ll be coming across her own graphic novels in the near future.

PaulShinn2010I also had a nice chat with Paul Shinn, whose blog is full of fun pictures. He is in the enviable position of starting a career as a freelance illustrator. I haven’t been to Camberwell (college of art), where Paul did his MA in illustration last year, but I have the privilege of knowing Mary Kuper, who teaches peripatetically there, and I love her! She’s very inspiring. So is Paul, full of enthusiasm! So there’s more potential to look forward to seeing published in the future.

 

Dan Berry from TheComicsBureau.co.uk runs the first BA in Graphic Novels in the UK. He was busy writing and drawing all night, and I saw some sketches he did that were really amusing takes on the presentations, so I’m looking forward to seeing more soon.

Kari2010Next person I had the privilege to hear was Paul Gravett, whose online presence speaks for itself, I don’t need to give you the link. He’s an authority in the field of illustrated texts (that’s one way of describing it all) and offered some great suggestions that are now on my even longer list of books to read.

The two main ones are ‘Kari’ (shown here) by Amruta Patil and ‘Funhome’, by Alison Bechdel.

 

Our French guest Jean-Paul made some very insightful observations on this last book. He’s looked closely at the literary component as well as the images, and I was fascinated by his critique.

The two speakers of the evening, Kiriko Kubo and Sarah Zaidan brought a multicultural feel to this session, showing us their illustrated idiosincracies about geographical areas (Japan, and Savannah, Georgia). This is a large area of research in itself, (e.g. Dorren Massey) and it was good to look at something more localised and less laden with heavy-duty heart-wrenching tragedy. Those of you who know me know that I love a good bit of existential pathos, but a bit of superficial couch travelling is as good for the soul as any intense sharing of the human dramas!

 

Unless otherwise specified, text and images © 2012 Cristina Nualart